Laptops and Homophones

By Vita Forest

At school, during Literacy groups, where three different activities run concurrently under my leadership and another is outside reading with a parent, we had, what you might call, an incident.

Martin, at ten years old, was becoming frustrated with a program he was interacting with on a laptop.  The cursor was not cooperating.  His responses were not being recorded.  He couldn’t move around the screen as he wished.  Some of his peers looked up like meerkats and turned their heads in his direction, while other class members jumped up to look over his shoulder and offer suggestions.  But all too soon, his muttering and irritation escalated into shouting and rage.  Along with the increase in volume, came a quickly accelerating wave and then explosion of fury which saw him slam down the lid of the laptop and raise it above his head all the better to hurl it across the room…

“Martin!” I shrieked with obvious great authority and calmness.

It was all I could do, being across the other side of the room deeply involved in deciphering his classmates’ handwriting and how they were responding to the latest chapter of The Lion, the Witch and the Wardrobe.

Luckily it distracted him long enough to hesitate and in that moment of hesitation I was able to sprint across the distance and gently press the weapon back down onto the benign surface of the desk.  He took some deep breaths and blinked.

‘Do you need to get some fresh air?’ I asked in a quieter tone, kneeling beside him.

He nodded and stood and marched out of the classroom.  I sent an extremely calm student out to follow him on his walk.

The meerkats returned to their work and the classroom returned to the more normal level of noise for Literacy Groups.  Martin returned after ten minutes walking in the sunshine, calmer, with his earlier meltdown forgotten.

Later, as I was marking the stack of books containing the students’ responses to ‘Troublesome Homophones’, I came across the following sentence used by Jason to demonstrate his knowledge of thecorrect way of spelling ‘there’  “The laptop was thrown over there.”

I called him over to my desk and pointed to the sentence nodding in appreciation.

‘Good use of ‘there’,’ I said.

He grinned.

‘I like to look around and get inspiration from what’s going on around me,’ he said.

Indeed.

Big cat in the city

By Vita Forest

A giant cat lounging on the grass beneath the jacaranda trees, the train clattering over the elevated tracks behind it.

I’ve been pacing up and down, forward and back, looking at the tiger from every angle, judging the view and judging the heat of the sun, the amount of shade, the location of seats and weighing up whether I will be able to sit there and draw comfortably.  But I want to focus on the tiger’s head, I want to look right into its eyes, so I choose this place, beneath this tree in front of the MCA on the lawn.  The ground is slightly damp, so I look in my backpack and find a scarf.  I drizzle it into a puddle of fabric and it falls from my hand in layers and layers, a spiral on the damp grass.  I sit cross-legged on my fabric seat in the shade of the tree and look across at the tiger.

I remember Quentin’s sketch of this same cat, his use of watercolour, how he caught the vibrant golden yellow.  But I have not brought my paints today.  I will have to catch it another way.  I rummage through my pencil case and find my graphite pencil, 6B – capable of the darkest blacks at the press of my fingers.  I decide to use that.

I map out the figure on my page, lightly drawing in the bulk of the body, the angle of the head.  The tiger’s toes are often obscured by children bouncing on its limbs (before its keeper in an official high-vis vest tells them off) and adults stepping boldly between the tiger’s paws to smile at a camera, to catch the encounter forever, though they have hardly stopped to look, hardly paused to stare up into the eyes of the tiger.

I stroke its face with my pencil and it seems to like that, it rocks back and forth as if dancing, as if moving in time to the clashing cymbals accompanying the lion dancing somewhere out of sight in The Rocks.  Its eyes emerge on my paper, its stripes, the shadows that I notice when the sun bursts through the clouds in a brilliant dazzle.  Is it watching me from those deep streaked eyes, or is it looking over my head to the ferries, or across the bay to the pink gridded pig snuffling beneath the sails of the Opera House?

Does it welcome the rain that splatters my paper, that sends us all running and huddling for a few brief minutes beneath the deep overhand at the entrance to the MCA, that leaves watercolour fireworks, a happy accident amongst Lara’s bright sketch of fighting cockerels?  Perhaps it is a longed-for respite, those fat drops that pit its tight yellow skin, that staccato drumming across its shoulders.

The rain stops as quickly as it starts and I return to stand beneath the shade beneath the tree, the ground too wet to sit on now.  I cradle my sketchbook in my arm and continue to breathe life into the outline on my page.  It’s strange what your mind notices in these moments – the colours of the tiger’s stripes are also found in the carriages and doors of the trains that streak beneath the Cahill Expressway and onto Circular Quay.

And after I have met up with the other sketchers, after we have admired each other’s work and told our stories and taken our photos and said our farewells, after I have caught the train home and made a cup of tea and lain down to rest on the couch, one of my own cats, my Isaboe, casually walks along the length of my body before settling, purring, like a sphinx on my chest, weight on her forelegs, in a pose that mirrors that of the big cat in the city.

See the train in the background?

 

Fox prints

By Vita Forest

Have you read Margaret Wild’s Fox?  It is a searing tale of friendship, jealousy, temptation, grief and loss.  Did I mention it’s a children’s picture book?

My class has been examining it closely.  Noticing the similes, the use of present tense, the metaphors, the personification, the colours used by the illustrator Ron Brooks, the layout of the pages and the unusual scratchy lettering.

This week,  after a boring old handwriting lesson (“check your pencil grip, stay on the lines, sit up straight, trace slowly and carefully, form your letters in just the right way”) we changed gear to explore how Ron Brooks’ lettering contributed to the story.

He experimented and took some time to get it just right.  Brooks ended up writing the text by hand and using his left hand (he is right handed), hacking out the words, tracing some of the letters over and over, writing them down and then up the sides of pages, on diagonals, in capitals (screaming).  In short, breaking all the handwriting rules.

We looked at the book again and focused on the writing, looking not at what it said but how it said it.  The kids had a play on little whiteboards, swapping their usual writing hands, using capitals where they should have used lowercase, reversing their letters, looking away when they wrote, turning their boards upside down, writing over and over in the same space.  Then they chose a piece of coloured paper, a handful of oil pastels and went away to make their marks as one of the three characters – half-blind, trusting Dog, griefing, wary Magpie or sly, jealous, lonely Fox.  The stipulation – they could only write the name of their character, nothing more, nothing less.

Miss Sadie, rather cheeky and daring, stared me in the face and screwed up her paper into a ball.  I stared back at her and said, “Yes!  If you are Fox, that might be just what you would do.”  (They have witnessed one of their classmates do this same action on a rather regular basis when he is distressed and in the midst of a meltdown).  Suddenly, there was scrunching, there was ripping, there was smudging, there was scraping.  Some of them wrote their character’s name just once, others repeated the lines over and over and over again.

Another happy accident occurred when I handed out some black mounting paper that I had cut in half to what I thought was a good size to frame their work.  It turned out it was too small.  “Stick it on an angle,” I advised.  And the artworks looked better than they would have with a neat black border.

The next day, we sat in a circle and held up the artworks for others to see.  The students went around the circle and explained what they did, how they did it and why.  Amongst the “I did it coz that’s what I felt like” there were some gems.  Kelly left space around Magpie’s name because she was left all alone.   Sharni wrote Dog’s name without looking at the paper because Dog was blind and Lana ripped away a piece of Fox’s signature because his heart was broken in two.

Don’t tell me kids can’t understand difficult stories…

Fire stick

By Vita Forest

We had met at the cafe near the station and looked at sketches  from previous occasions – Neil’s idyllic rainforest scene, drawn and coloured on an iPad, Tomas’ panorama of Cockatoo Island in scratchy blank ink  and Fiorella’s book of treasures – page after page of details  – a chair, a gnarled stump, a delicate tree fern.

We had drunk our coffees and teas and set off to find our own sweet subjects – what would catch our eyes today?  I love meeting up again in a few hours time and seeing howal though we all start at the same spot, our eyes take us in all sorts of different directions.

I started with a tree, an old twisted dead thing whose bark twisted over the trunk.  Whose trunk was scarred with the stumpy remains of branches from long ago and pocked and grooved with deep fissures.  I like a tree with character.  I also  liked that I could fit the whole tree on my page, composition being something I’m trying to improve on.  So I got out my trusty graphite lead and shaved it to a point with my knife and sat cross-legged on the grass and drew that tree in the shade of another tree, a living tree whose leaves shaded me from the hot sun.  Ants crawled along my knee and a breeze swept through carrying with it the smell of smoke.

Sydney is burning.  Parts of it.  The autumn so far has been summer hot and the bush fire season has extended.  We have hardly had any rain and there’s lots of dry branches and leaves turning into brittle fuel on the ground.

When I finished my drawing of the tree, I walked further into the park and along a path that edged a gully.  Down one side of the gully they had done some back-burning.  Possibly yesterday.  The smell of smoke hung in the air and here and there little scribbles of grey smoke rose from still smouldering coals.  The other side of the gully was still a lush green but this side looked scorched and barren.

I put my bag down on the path (away from the blackened leaves beside it) and began to draw this surreal scene.  There would not be too many opportunities to draw the effects of fire.

I hope.

I noticed that the fire must have scorched over the earth and then been extinguished almost immediately.  There were trees with one side of their trunks burned, the other side spared.  There were piles of charcoaled grass but here and there a stem of fern still stood (though it was blacked and shriveled as if drawn in ink).  I stood and drew the stand of rocks beneath the trees, the charred remains of strappy grass and the flaky ash that had crumbled over the soil.  Pedestrians marched past, some turning to look down the slope, a few stopping to snap a couple of photos.

I stood on the side of the path and remembered my dreams of fires and my concern one time that saw me taking my keys and walking outside at midnight – just to make sure I couldn’t really smell the building burning.  And later I sat on a seat with Fiorella, swapping stories and showing each other the contents of our pencil cases and talking about the plants that need fire to germinate.

And I remembered peering down that charred slope and seeing a kookaburra dive into the ashy dirt and snatch up a lizard as a cloud of smoke slowly rose around it.

There is life there yet.

Homework sentences

By Vita Forest

Actually not by Vita Forest – these are a selection of homework sentences from my class this week…  (the main focus were words that change their form completely when a plural is made).

Men are different to women because they get head lice more often and have bigger feet.”

“Twins are very similar to each other.”

“One man wearing a bright orange shirt stood out in a group of men wearing black uniforms.”

“A teaspoon and a tablespoon have a similar shape.”

“The climate in Sydney is really hot and there is a bit of lighting (sic).”

“I watched some similar YouTube clips they were all about this dude that jumped off London Bridge.”

“Most people in my class don’t have lice.”

Thank goodness for that…

Everyday more geckos

By Vita Forest

For the last two weeks

A strange phenomena

A gang of geckos in my classroom.

They march up the walls

Keeping watch over the rubbish bin.

They peer at the whiteboard

Their sticky toes hugging the frame.

Some particularly curious ones watch me work at my computer

They must tell their friends –

Everyday more geckos.

And on the back wall by a Boy table and under the Indigenous language map

An army has appeared

Everyday more geckos

One clings to the clock and listens to its tock

They crawl up the windows

Every size, every colour, every pattern

When will it end?

Everyday more geckos.

Mobile Tales 8: in which Christabel becomes aware of an unusual weather system

By Vita Forest

One fine, balmy morning (was there really any other kind?) Christabel La Mouse peered out from The Good Ship Possession, through the far distant headlands of The Doorway and into The Kitchen.  There was strange metallic box therein to which she was often alerted by the rumbling and humming it made.  She believed it was called The Refrigerator.

The Refrigerator was a cheerful thing that kept up a steady stream of conversation.  Unfortunately, the language was quite unknown to Christabel, so she had to make do with sending a cheery wave its way and the occasional call of “Yoo Hoo!”  It was unclear whether The Refrigerator was aware of such communications, but it seemed happy enough as it gurgled and hummed and droned and whirred.

And happy it should be, for it seemed to be the home of much of the food in The Kitchen, and in particular, The Cheese.  Many was the time that Christabel would be distracted from her lookout post by the flash of light that signalled the opening of The Refrigerator and the accompanying waft of cheddar or parmesan.

But on this particular fine and balmy morning, Christabel was aware of a cloud of white that was buzzing over the pewter grey surface of The Refrigerator.  It shimmered as if alive.  Whatever could it be?


Her curiosity was piqued, necessitating this myopic mouse to withdraw her spyglass from its case and place it up to her right eye.  She twisted its segmented body this way and that, until the shimmering cloud sharpened into focus and to her astonishment turned into a cloud of words!  A cloud of words!  Whoever had heard of such a thing!  (It was true that her own vessel was formed from the pages of a novel but a cloud of words?  Was there really weather systems created by language?  Storms of similes?  Gentle patterings of adjectives?  A sudden flash of metaphor??)

As she watched, one of The Humans stood in front of The Refrigerator and peeled small rectangles from inside the cloud and arranged them in lines floating above it.

Was it a message?  She waited patiently until a number of words were thus arranged (and also for the large head to move out of the way so she could see).

What did it say?  Christabel swung the spyglass from right to left and read:

shadow ship soar over a smooth lazy lake

How lovely!  Then

watch above though

stop the spray heave & rip & blow

Wise advice indeed.  Then

live sweet summer honey music

It only needed an exclamation mark…

And there it ended.


Christabel felt like clapping, The Refrigerator gurgled and from the depths of The Kitchen, the kettle boiled.

How wonderful it was to discover new delights to monitor from her ship on the ceiling!   The world was certainly full of wonder.

School days

By Vita Forest

 

I hear a child say he wished to die.  Saw no point in it and he was tired, tired, tired.  I know, said the woman with the water rubbing his hand, I know.

Another said she likes to hang out here, in my room, their room, our room, more real and familiar than that house they had just moved to.  They swing open the door with confidence, as if they own it, which they do, and march in to look at the schedule, to get their hat, to get their book, to have a chat.

I stand in the playground with the sun at my back and wave at my grinning girls as they skip through hoops and miss completely the boy brandishing his fist at another.  The victim tells his tale as the other stalks away.  The parties are gathered and talk tearfully in turn,

He said….  

He did….

I only wanted to…

I was just trying to… 

It wasn’t my fault.

Another day I do not miss the boy, morning meds forgotten, baring his teeth at his friends, lashing at the air, at a tree, at the curious Kindergarten boys who venture too close before I turn them away.  We watch and let him roam and calm and he creeps back again, more in this world than out.  Yes, his mother is told, the drugs do seem to make a difference.

After a final Peer Support meeting, the whole school frolics outside, playing Tip, playing Grandmother’s Footsteps, playing on the soggy muddy grass, shrieking in the cold wind.  One boy, one of my dancers, asks if I will hold the final treat, the bag of lollies for him – he needs both hands.  Only if you give us one later, shoots back another nearby teacher.  He grins and runs off and we compare notes on the ups and downs of children as we watch them play.  Later that week I will draw thick black smudges over the boy’s eyes and silver lightning bolts on his cheeks and spiralling scrolls on his chin.  It’s the first time I’ve worn makeup he tells me, looking at the eyeliner pencil in wonder.

In Assembly the boys point to their knees and I give the filthy, muddy, knobbly things the thumbs up.  It brings me joy to see such evidence of unabashed play.  And later that week, those boys who stand atop those strong, wiry legs collect ribbons for long jump, for high jump for hundred metre races.  See what playing in the dirt will do?

That day we go to the oval and the clouds hang low, but we make a start and how they run and jump and throw!  The parents provide free cups of hot drink for adults and on a break I clutch a tea in my cold hands and huddle into my parka.  I collect the lengths of long jumps on my clipboard, measured and sung out by high school boys, the same age as my faraway son.  In any gaps in the proceedings, they tear down the path themselves and hurl themselves into the sandpit.  Foul!  the other cries, but hardly ever mean it.  At the other end of the pit, the children who did not like to run pat sand into castles and fashion hills with their bare hands.  At lunch, the clouds come down and we find shelter where we can, but still the children run and still the children jump.  I go back to school early, standing swaying on a crowded bus with the children who have finished, who have lost interest, who are cold! whose breath turns the windows of the bus to fog.

In the crowded classroom, we turn on the heat and a movie, while the boys make a meticulous list of who would go on the computers, and in what order.  Enraged he had to wait, one boy from another class kicks his shoes in the air, slams the door, screams.  The others stare momentarily, used to his behaviour, then go back to their lunch.  I know him too, he hasn’t changed.  I ring the office, I let children go to the toilet, I accept drawings done on scrap paper, I time the time they have on the computer, I text my friend late back after their bus gets stuck on a tiny street, she has to stand in the rain and help direct it past an illegally parked car.

And the next day we show the school the dress rehearsal with costume, hair and makeup.  Eyes boring out from black scribbles smudged with finger tips, others peering out from itchy wigs in psychedelic colour.  An audience – it brings both excitement and intimidation as their classmates see them, watch them, judge them.  How much harder to stare into familiar eyes than into blank, unappraising space.

I walk back and forth through the week, carrying armfuls of paper, photos, reports in yellow envelopes, skipping ropes, jackets with silver collars and stage makeup.  Carrying list of things to do, people to talk to, staples, velcroze, stiff black cardboard, plans for the holidays and for next term.

We hold a party for the whole Year on the last afternoon to farewell my student, going overseas for years, to celebrate the end of term for all.  They bring out bags of food and one boy tells me he has never eaten such things before, his mother makes everything and will not buy this food wrapped in plastic.  He concedes her homemade cakes tastes better.  Another boy eats fruit, he is going away tomorrow, he explains, and doesn’t want to get sick in the car.  My girls present a card to their friend, make a speech, send her off.  The card-maker tells me she got all the girls to sign it but had to write some of the boys names herself because they would not cooperate, not be appropriate, not behave, she says severely.  (The boys are outraged at this assessment).  They all kick balls, throw balls, lounge around the picnic tables and shovel food into the mouths.  The ground is muddy still despite the sun and I am offered up more muddy knees for inspection.  The bell rings and my departing student hangs behind with her friends, not wanting to leave, looking around the classroom one last time.  She gets a marker and writes her class, her old class, a message for next term:

I will miss you – yes even the boys… it says.

This week

By Vita Forest

Queensland Bottle Tree, Royal Botanical Gardens Sydney


This week I have been

READING 

  • Alexander Hamilton by Ron Chernow (finished at last).
  • The Essex Serpent by Sarah Perry (highly recommended by Sui-Sui, I have just started).
  • The Art of Frugal Hedonism by Annie Raser-Rolland and Adam Grubb (now I know what to call myself!)

SKETCHING a Queensland Bottle tree at the Royal Botanical Gardens.

Succulents at the Royal Botanical Gardens


VISITING The Powerhouse Museum with my class (great fun!! My little group just loved revisiting their early childhood in The Wiggles exhibition). 

MAKING an astronaut/aviatrix costume (my sewing machine and table are covered in silver glitter – looks like Tinkerbell has been for a visit).


EATING Belgian Chocolate gelato in Chatswood with my kids – sensational!

WALKING with my kids on a gelato expedition and later in the brisk winter air with Vastra and Saskia.

FINDING that our dance performance group is “all coming together”.

DIRECTING a little play with my class and watching them shine!